Douglas Gordon
Douglas Gordon is a multimedia artist who was born in Glasgow in 1966. His work has been featured in dozens of museums around the world, especially the Tate and Gagosian. His work is related to Relational Aesthetics because he is concerned with highlighting the spectator's subjectivity within the work, and exploring themes of collective identity. He does this by utilizing images in popular culture, like Hitchcock's Psycho, and distorting them to such a degree that the meaning they were originally imbued with is completely stripped away to reveal a different meaning. One of his most famous works, 24 Hour Psycho , consists of the projection of Hitchcock's Psycho slowed down so that it takes a full 24 hours to get through the movie. This highlights the constructed nature of film, and the presence of the spectator. Other dynamic examples of his video work include Play Dead; Real Time , Zidane; a 21st Century Portrait , and Phantom . He also does a series of photographs ...
I think you make a great point here. The angle from which a person sees Yi's work changes the image that we see. It also changes our understanding the space that we are in.
ReplyDeleteYeah... yeah!! His experimentation with space is pretty interesting. Like you said, his exhibition in Wriston incorporates several pieces that form a cohesive environment, and this idea of working on-site and playing around with a unique space and time is an interesting approach.
ReplyDeleteHannah, I definitely agree that Yi's idea of "terraforming" by working with a given space is fascinating and has a unique commentary on how we traditionally evaluate the aesthetic of that space, and it should be explored more often by other artists, aspiring or not. I however wasn't exactly sure how that video he showed really had any real relevance to the projects he's working on now. I thought the main purpose of his art was challenging people's perception of what physically possible, and not the importance of memory. I personally thought it distracted from the purpose of his coming here in the first place, which I thought was to go in-depth as to why he pursued art after a long run in architecture and why he chose the medium of zip-ties, neither of which he didn't really explain well.
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